Thigpen describes the voyage of New England missionaries to Hawai’i and the political shifts occurring on the island that signaled the powerful role women would play in the cultural interactions that lay ahead.
In this excerpt from Common Threads by Sally Dwyer-McNulty, she explains the difficulty for women religious to assimilate into broader American culture and fashion.
Many white southerners were particularly concerned with the way history would present their side of the sectional conflict and how it would judge their advocates, such as Bryan. Thus controlling, in some way, what children were taught in schools actually carried a significant sub-agenda.
Men sailing out from Amsterdam often trusted and relied on their wives above all others. Like all Dutch huysvrouwen, or housewives, maritime women formed essential partnerships with their husbands, and they had detailed knowledge of their seafaring spouses’ interests and personal property.
In this excerpt from Choosing the Jesus Way, Angela Tarango tells the story of Charlie Lee, an American Indian convert to Christianity who embraced both the Indian and Pentecostal parts of his life.
Americans have a high regard for free speech, but should we have the same concern for the protection of silence? Should saying nothing or doing nothing open one to military arrest? What if a president has gone on record as advocating such a policy? This may sound like a ridiculous proposition, given our system of rights embedded in the Constitution. But it is not a hypothetical statement: this scenario faced northerners, border state loyalists, and especially Confederates in occupied zones during the U.S. Civil War. Saying nothing and doing nothing did bring the U.S. Army to one’s door.
Puerto Ricans played a pivotal role in the building of the civil rights movement in New York City—one of the less-heralded but still vital sites of movement.
Transgender steelworkers are the most vulnerable people I interviewed. The option of invisibility isn’t available to those who transition at work. And every change that shows, every single solitary detail, becomes a focus of teasing, harassment, violence, and abuse.
The idea that the South is (or can be, or should be) of interest solely to southerners is, I believe, a deeply problematic notion, one that perpetuates reductive and harmful ideas about the region.
I’m targeting the person who has dreamed of diving a sunken U-boat, or mountain biking a twisty trail in the Pisgah National Forest, or paddling his or her way down a mountain creek, but thought, “Nah. I could never do that.” My goal is to tell you that you can. All the reader needs is a spark of adventurous spirit. The book will, hopefully, ignite that spirit and push the reader into action.
College students were a primary part of the push towards casual dress—there were other factors, including Hollywood and the rise of California as a fashion trendsetter, for example. But college students had the critical mass to initiate widespread change. In many ways they were the foot soldiers of casual dress. In addition to having the numbers, college students lived in a largely self-regulated environment that allowed them to flout convention. Their fashion choices were not driven by social standards prescribed by parents or fashion editors. Rather, they chose clothing that was practical and comfortable—and those two qualities have come to define the modern American wardrobe.
When it was published in 1852, Harriet Beecher Stowe’s abolitionist novel Uncle Tom’s Cabin quickly became the most inflammatory, explosive, and politically significant literary text of the antebellum period. Adapted to the stage shortly thereafter, Uncle Tom’s Cabin’s moral fervor, emotional power, and iconic characters soon made it a theatrical institution.
Help us make a great book even better! We need your support to insert a CD of music in every copy of a forthcoming book about Scots-Irish music in Appalachia. Listen to a sample to hear what’s in store.
When Bryan agreed to assist the prosecution in the 1925 Scopes trial that would test the Butler Act’s ban of the teaching of evolution in Tennessee, he was anything but new to the debate. Despite his progressive political record on issues such as women’s suffrage, Bryan’s swan song as an anti-evolution crusader was zealous and emphatic. He argued, wrote, and perhaps believed, that this single issue would erode American faith. For Bryan there was no middle, and his readers need only choose sides. His widespread essay on the subject was titled “The Bible and its Enemies,” and he considered the cause the greatest reform of his life. Science and even the experts who defense attorney Clarence Darrow had attempted to call at the trial, were adversaries in a zero-sum game that the world was watching.
I grew up watching OutKast videos on the now-defunct Video Jukebox Network, affectionately known as “The Box.” Although OutKast received some play on MTV and BET in the early 1990s, it was on The Box, which featured a range of underground southern hip-hop artists, where I could be sure to see André “André 3000” Benjamin, Antwan “Big Boi” Patton, and other southern rappers in regular rotation. Although initially record labels largely ignored southern artists, through homegrown ingenuity, southern rappers soon emerged as a formidable force in the global music industry. By 2005, top spots on music charts were regularly held by southern hip-hop artists, southern R&B singers, or hits produced by southern artists. As Memphis rapper Project Pat noted in 2006: “Now y’all was thinkin’ Dirty South was like, ‘hee-haw, hee-haw’/Is you worth over a hundred mil? We are, we are.” Indeed, the South had something to say.
Language and dialects are culture, but like other aspects of our heritage, they have sometimes existed under the cultural radar. In part, this is due to the historical and political subordination of the South. Southern speech has become increasingly different from Northern speech since the Civil War, but it was interpreted as inferior due to the stereotypes of the South by outsiders. The effects of linguistic prejudice are just as harmful as other types of prejudicial attitudes, perhaps more so because their workings are often invisible. It takes time to raise linguistic awareness by countering myths and stereotypes with formal and informal education about the legacy of dialects. North Carolinians deserve to know and understand the truth about its distinct dialect and language legacy.
I asked him to recall all the people he has worked with—all his union brothers and sisters, down through the years—and count the gay ones. Almost surprised, he said there were none. Of course, he knew as well as I do that there have been many, but that they did not identify themselves as such. My task is then to convince him that their silence was not simply a choice, but rather that it was made in fear, and comes with crippling consequences.
Reconstruction remains one of the most widely misunderstood eras in United States history. Though historians have largely discredited the white supremacist interpretations of William A. Dunning and his students, the Dunning School lives on in the public at large. Otherwise informed and well-meaning individuals unthinkingly parrot early-twentieth-century critiques of Reconstruction, casually dismissing it as an era of federal overreach, northern cruelty, and cynical corruption. My own experience bears out this observation: a friend who claims that Reconstruction failed because it was “too harsh,” or a student who labels the period a “tragedy” without being able to provide a single reason for this characterization. I expect other scholars of the period have had similar experiences. It seems that on an instinctive, knee-jerk level, many Americans respond negatively to Reconstruction, though most could not explain why. The 150th anniversary of Reconstruction offers a perfect opportunity to set the record straight, or at least to give the public a fair accounting of the period’s challenges, its successes, and its failures.
The North Carolina Literary Festival is a free public event presented on a rotating basis by the Duke University Libraries, the University of North Carolina at Chapel Hill Libraries, and the NCSU Libraries. This year, the festival will be hosted at the James B. Hunt Jr. Library of NC State University in Raleigh. The festival is for people of all ages from all over the state and beyond. Every year the festival includes author readings and discussions, performances, book signings, children’s activities, book sales and much more. Among the varied participants, several UNC Press authors will be at this year’s NC Literary Festival.
UNC Press needs your help in a matching funds challenge to pay for inserting music CDs in a forthcoming book about the Scots-Irish music of Appalachia.