Luther Adams: W. E. B. Du Bois’ One Charge

www.youtube.com/watch?v=-z2LNsifEzg”

“Black-on-black crime” is not real. It only exists to suggest being black is the true crime, and to deflect attention away from the fact of ongoing inequality. What many have termed “black-on-black crime” tells us more about white supremacy, and the devaluation of black life, than it does about crime. Connecting crime and blackness is central to racial control, as is the link between guns and white supremacy. The true crime is that black lives have less value to society and to even to other black people.

Edward E. Curtis IV: Teaching about Islam and the African Diaspora

These discoveries have changed the way I teach about Islam even at the introductory level. I now try to put Black people at the center of my course rather than on the margins of it (and by extension, on the margins of Islam).

Meet the Families Represented in ‘Tobe': A 75th Anniversary Event

To celebrate Tobe’s seventy-fifth anniversary, historian Benjamin Filene, director of public history at UNC Greensboro, will moderate a panel called “Voices of Tobe,” featuring special guest appearances by several individuals from Tobe, their descendants, and members of their community.

Excerpt: Ain’t Got No Home, by Erin Royston Battat

Yet a closer inspection of the Scottsboro case reveals how complicated was the relationship between African Americans and the Communist Party in the 1930s. The CP championed the working-class and unemployed masses, but these were precisely the people who had terrorized the black boys on the train, falsely accused them of rape, and would have lynched them without the governor’s intervention. Antilynching activists, on one hand, and labor defenders, on the other, relied on diametrically opposed conceptions of the populist masses and the law. Whereas the antilynching movement called for the rule of law to quell mob hysteria, labor defense stood up for workers against a prejudicial legal system. These opposing views posed a challenge to the CP in attracting black members and sympathizers. While communists prophesied a future revolution led by an international proletariat, the most visible form of proletarian collective action in the South, according to some skeptical observers at the time, was the lynch mob.

Claude Andrew Clegg III: Elijah Muhammad, Then and Now

Our America is a product of Muhammad’s America and to know our times is to appreciate the era in which he lived.

Luther Adams: Claiming the South as Home: African Americans and Southern Identity

www.youtube.com/watch?v=Ri7PmuVV6vI”

Claiming the South as Home was and still is a call to action and for reparations, but it is also an expression of black southern identity.

Marc Stein: Sotomayor v. Roberts: Race, Affirmative Action, and Impatience

When I teach students about the history of constitutional law, I usually focus on the substantive legal arguments in Supreme Court decisions, but sometimes I encourage my students to focus on the tone, the emotion, the affect. I try to show my students that this can help us understand what is really going on in these decisions and it can help us consider the underlying issues and the political stakes.

Corinne T. Field: “Boomerang Kids” and the Political History of Adulthood

Concerns about adult independence cut to the very heart of what it means to be an American citizen, and indeed, to long-standing assumptions about the proper functioning of democracy itself. Anxieties about coming of age have a history, and this history is not just economic but political.

Excerpt: Stories of the South: Race and the Construction of Southern Identity, 1865-1915, by K. Stephen Prince

When it was published in 1852, Harriet Beecher Stowe’s abolitionist novel Uncle Tom’s Cabin quickly became the most inflammatory, explosive, and politically significant literary text of the antebellum period. Adapted to the stage shortly thereafter, Uncle Tom’s Cabin’s moral fervor, emotional power, and iconic characters soon made it a theatrical institution.

Zandria F. Robinson: OutKast Reunion Tour: After Twenty Years, the South Still Got Something to Say

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I grew up watching OutKast videos on the now-defunct Video Jukebox Network, affectionately known as “The Box.” Although OutKast received some play on MTV and BET in the early 1990s, it was on The Box, which featured a range of underground southern hip-hop artists, where I could be sure to see André “André 3000” Benjamin, Antwan “Big Boi” Patton, and other southern rappers in regular rotation. Although initially record labels largely ignored southern artists, through homegrown ingenuity, southern rappers soon emerged as a formidable force in the global music industry. By 2005, top spots on music charts were regularly held by southern hip-hop artists, southern R&B singers, or hits produced by southern artists. As Memphis rapper Project Pat noted in 2006: “Now y’all was thinkin’ Dirty South was like, ‘hee-haw, hee-haw’/Is you worth over a hundred mil? We are, we are.” Indeed, the South had something to say.

Video: Amrita Chakrabarti Myers: “Making a Way out of No Way: Black Women in the Old South”

Amrita Chakrabarti Myers, author of Forging Freedom: Black Women and the Pursuit of Liberty in Antebellum Charleston, recently gave a talk for the James A. Hutchins Lecture at the Center for the Study of the American South entitled “Making a Way out of No Way: Black Women in the Old South.” In this lecture, she expands upon ideas discussed in her book about how black women fought for freedom in their oppressive environment.

Oscars 2014: History in Pictures

We would like to congratulate all of last night’s Oscar winners, but there are a few winners who are especially close to our hearts at UNC Press. After the dust of pre-Oscar predictions settled, Twelve Years a Slave arose victorious last night winning the Oscar for Best Picture, Best Actress in a Supporting Role, and Best Adapted Screenplay. When director Steve McQueen accepted the Oscar he said, “Everyone deserves not just to survive but to live,” and we could not be more happy that such an important film has received the recognition it deserves.

Alex Lubin: Malcolm X’s Afro-Arab Political Imaginary

Malcolm’s transition would include rejecting the homegrown and Ahmadiyya-based, heterodox Islam practiced by the Nation of Islam and embracing the intellectual, moral, and political currents of orthodox Sunni Islam, African decolonization, and Arab nationalism. In this way, Malcolm’s political and moral commitments combined sometimes-contradictory political ideologies, including those of Muslim Brothers, secular pan-Africanists, and Nasserist pan-Arabists.