Musically, there continues to be a deep stylistic overlap between country and soul. Some of the biggest country stars of today utilize the sounds and songs of R&B, while many contemporary soul and hip-hop artists (particularly from the South) bring the characteristics of country onto their records. Then there are the folks in the middle—many of whom, like Jason Isbell or Valerie June, are from the triangle—who draw from both traditions and blend them together in new and interesting ways. It remains one of the deepest wells of American music.
The study of African American history is a year-round endeavor for UNC Press, but in honor of African American History Month, we’d like to highlight the great new work we’ve been able to publish in this field recently. Here are books on African American history, culture, and modern society from UNC Press over the past year, plus a few that will be available later this spring and are available for pre-order now.
In 1966, Charles “Charlie” Scott (b. 1948 in NYC) became the first African American student to attend the University of North Carolina Chapel Hill on an athletic scholarship. He decided to attend UNC rather than basketball powerhouse Davidson College after a wrenching moment at a small café in Davidson, North Carolina. Former Davidson College basketball star Terry Holland, who both played and later served as assistant coach under the college’s legendary coach Lefty Driesell, and UNC law professor and civil rights attorney Daniel H. Pollitt, who was a passionate advocate for social justice in Chapel Hill during the 1950s and 1960s, vividly recall Scott’s historic decision. Pollitt worked with Dean Smith, UNC’s beloved basketball coach (1961-1997) and Robert Seymour, progressive minister at the Olin T. Binkley Baptist Church in Chapel Hill, to recruit Charlie Scott and to help integrate the university community.
It is generally known that the American banjo’s origins trace back to West Africa and a gourd-like instrument the gnomi, among other names. However, the plantations were something of an incubator for music of the African American slaves in a variety of forms: the fiddle, learned at the plantation house; the call-and-response work songs from the toil of the plantation fields; spirituals stemming from church worship—often clandestine services or camp meetings with hidden messages of freedom’s call; and the hush lullabies sung by mammies to their babies, and sung with irony to the children of the plantation overlords.
“Black-on-black crime” is not real. It only exists to suggest being black is the true crime, and to deflect attention away from the fact of ongoing inequality. What many have termed “black-on-black crime” tells us more about white supremacy, and the devaluation of black life, than it does about crime. Connecting crime and blackness is central to racial control, as is the link between guns and white supremacy. The true crime is that black lives have less value to society and to even to other black people.
To celebrate Tobe’s seventy-fifth anniversary, historian Benjamin Filene, director of public history at UNC Greensboro, will moderate a panel called “Voices of Tobe,” featuring special guest appearances by several individuals from Tobe, their descendants, and members of their community.
Yet a closer inspection of the Scottsboro case reveals how complicated was the relationship between African Americans and the Communist Party in the 1930s. The CP championed the working-class and unemployed masses, but these were precisely the people who had terrorized the black boys on the train, falsely accused them of rape, and would have lynched them without the governor’s intervention. Antilynching activists, on one hand, and labor defenders, on the other, relied on diametrically opposed conceptions of the populist masses and the law. Whereas the antilynching movement called for the rule of law to quell mob hysteria, labor defense stood up for workers against a prejudicial legal system. These opposing views posed a challenge to the CP in attracting black members and sympathizers. While communists prophesied a future revolution led by an international proletariat, the most visible form of proletarian collective action in the South, according to some skeptical observers at the time, was the lynch mob.
On the whole, black southern women forged a more intimate—and more active—relationship with the burgeoning world of beauty than did white southern women.
Our America is a product of Muhammad’s America and to know our times is to appreciate the era in which he lived.
Claiming the South as Home was and still is a call to action and for reparations, but it is also an expression of black southern identity.
When I teach students about the history of constitutional law, I usually focus on the substantive legal arguments in Supreme Court decisions, but sometimes I encourage my students to focus on the tone, the emotion, the affect. I try to show my students that this can help us understand what is really going on in these decisions and it can help us consider the underlying issues and the political stakes.
Puerto Ricans played a pivotal role in the building of the civil rights movement in New York City—one of the less-heralded but still vital sites of movement.
The image of the beautiful southern belle/lady was, by definition, racially exclusive, and many black women would have keenly felt its discriminatory power. There were occasions, however, when individuals and institutions attempted to claim the image for black women, to challenge its underlying racial assumptions and reframe its meaning. An interesting example is a photo spread that ran in Ebony magazine in 1971 entitled “Belles of the South” that featured young women from southern historically black colleges. The magazine said very explicitly that it wanted to prove that not all southern beauties were white—that black women were belles of the South, too.
Amrita Chakrabarti Myers, author of Forging Freedom: Black Women and the Pursuit of Liberty in Antebellum Charleston, recently gave a talk for the James A. Hutchins Lecture at the Center for the Study of the American South entitled “Making a Way out of No Way: Black Women in the Old South.” In this lecture, she expands upon ideas discussed in her book about how black women fought for freedom in their oppressive environment.
We would like to congratulate all of last night’s Oscar winners, but there are a few winners who are especially close to our hearts at UNC Press. After the dust of pre-Oscar predictions settled, Twelve Years a Slave arose victorious last night winning the Oscar for Best Picture, Best Actress in a Supporting Role, and Best Adapted Screenplay. When director Steve McQueen accepted the Oscar he said, “Everyone deserves not just to survive but to live,” and we could not be more happy that such an important film has received the recognition it deserves.
In the end, it was the federal government that made the difference between bankruptcy and [Detroit] emerging out of the crisis, as Murphy put it, with credit and honor. Throughout the crisis, Murphy practiced his belief that government’s primary responsibility was to serve the social and economic welfare of people, whose basic needs must not be subordinated to corporate America’s agenda.
At critical junctures in the nineteenth and twentieth centuries, African American history intersected with the national story and altered the American landscape. Whether the Emancipation Proclamation or the March on Washington, black history merges and flows into the wider ocean of the American experience. All of these events, in one way or another, highlight the central role played by African Americans in the national life.
Malcolm’s transition would include rejecting the homegrown and Ahmadiyya-based, heterodox Islam practiced by the Nation of Islam and embracing the intellectual, moral, and political currents of orthodox Sunni Islam, African decolonization, and Arab nationalism. In this way, Malcolm’s political and moral commitments combined sometimes-contradictory political ideologies, including those of Muslim Brothers, secular pan-Africanists, and Nasserist pan-Arabists.
UNC Press has a long history on publishing outstanding work of African American history. In honor of African American History Month, we’d like to highlight some of the amazing new work being done in the field. Here are books on African American history, culture, and modern society that UNC Press has published over the past year.
Will a new Detroit rise out of the ashes of its current crisis? Some cannot imagine the city Forbes recently picked as the nation’s most miserable can reinvent itself. Others place their hopes in the rise of small businesses, including urban farms, manufacturing urban bicycles, hand-made jeans, and even luxury watches. Although new startups have, so far, created only a few hundred jobs, they represent economic diversification, which may prove significant for creating a viable new Detroit after depending on one industry to anchor the community’s welfare for a century.
This is not the first time Detroit has been reinvented. In the early twentieth century the City Council was reorganized and the judicial system was transformed when an autocratic structure that denied the majority access to due process was overturned. The issue of judicial reorganization emerged as the city’s industrial elite attempted to seize control of the courts. It was the last in a series of maneuvers created and led by Henry Ford to regulate and manage the lives of Detroit’s demographically diverse autoworkers.