Today the film Free State of Jones opens in theaters across the United States. Historian Victoria E. Bynum, whose book of the same name helped inspire the film, has been making media rounds this week, talking about what the New York Times has called “the first Hollywood drama to come with footnotes.” Director Gary Ross comes correct on the history in this project, so historians, enjoy! Here are four ways you can celebrate the opening of the movie today.
In the following video, Actor Mahershala Ali (House of Cards) shares his experience transforming The Free State of Jones: Mississippi’s Longest Civil War into an audiobook for Audible.
We welcome to the blog a guest post from Brain Craig Miller, Civil War historian and author of recently published Empty Sleeves: Amputation in the Civil War South. In today’s post, Miller reflects on the Civil War America series and how it shaped his views of the Civil War. ### It was the morning prior …
We welcome to the blog a guest post from James J. Broomall, Civil War historian and director of the George Taylor Moore Center for the Study of the Civil War at Shepherd University. In today’s post, Broomall writes about how the Civil War America series has guided his studies over the years. ### Like any good …
It was a cold, rainy December afternoon when my wife finally asked the question: “Who was Virgil Lusk?” It was a fair question. After all, I had dragged her around Asheville’s historic Riverside Cemetery for well over an hour trying to locate his grave. With each grave adorned with a miniature Confederate battle flag, my frustration mounted. Lusk was a Confederate soldier. So why was my strategy of driving toward those flags not producing any results? Was his flag missing? Who was Virgil Lusk?
The Ku-Klux began as a name. It was chosen by a group of young former Confederates in Pulaski, Tennessee, in May or June 1866. Pulaski, the seat of Giles County, is seventy-four miles south of Nashville, connected to the city by the Nashville and Decatur Railroad. The war’s shadow fell heavily on the nation, but Pulaski bore a disproportionate share of suffering. While it was never itself a battlefield, Federal troops had occupied it, and it was in close proximity to some of the war’s most deadly fighting. Union troops camped in Pulaski in the days before the bloody Battle of Nashville, and were a frequent presence throughout the war. These strains may have contributed to the area’s fraught postwar atmosphere.
Through centuries of slavery followed by Jim Crow segregation, white Americans have claimed public spaces—like Pack Square—through naming or regulated access. But those claims were never complete or total. Perhaps that is one reason why the commemorations and memories—such as those surrounding Vance—neglect the region’s complicated Reconstruction history. After all, the war may have ended slavery, but the real struggle over the meaning of freedom began when the soldiers stacked arms in 1865.
The previews for The Free State of Jones are screening in theaters now, and the movie will be released in May. So there’s plenty of time between now and then to read the full history in Victoria E. Bynum’s book The Free State of Jones: Mississippi’s Longest Civil War. (And now you can picture Matthew McConaughey in the role of Newt Knight and Gugu MBatha-Raw as Rachel Knight as you read. . . . )
Judging by the sheer number of supernatural walking tours, bus tours, hearse tours, and reality TV shows proliferating across the country, America is host to manifold hauntings: at prisons, insane asylums, old hotels, historic sites and, of course, exceedingly Gothic haunted houses. It is perhaps not surprising that many of these hauntings are rooted in the South, the site of the American tragedy of slavery and the seat of the Civil War. In today’s Dixieland, enslaved ghosts join a cast of spectral characters: Confederate soldiers carrying muskets, young plantation belles in mourning, lovelorn barmaids done wrong, and profiteering pirates. But it is the ghosts of the enslaved who stand out.
The movie The Free State of Jones, starring Matthew McConaughey as Newt Knight and Gugu MBatha-Raw as Rachel Knight, is scheduled for release on March 11, 2016. Almost a year previous to that day of projected release, the following photos were taken on the movie’s set in Covington, Louisiana. You’ll likely recognize the director, Gary Ross, of Hunger Games and Seabiscuit fame. Perhaps you’ll recognize the Confederate officer and nurse too!
Political cartoon and commentary by historian Mark Wahlgren Summers: meet two men who eclipsed Jesse and Frank James in their exploitative conquests.
Today’s cartoon and commentary by historian and illustrator Summers features the hypocrisy of some politician-businessman relations in the Reconstruction South
Political cartoon and commentary by historian Mark Wahlgren Summers: How the Lost Cause lost its way with Wade Hampton
The public conversation that emerged in the Union states during the Civil War meshes well with these contemporary discussions. The greatest scorn was reserved for the dishonest charlatans who sought to profit from a war where they had not shared in the risks.
The Siamese twins had long been used ironically as symbols of American nationalism. The earliest pamphlet about the twins published in the United States in the early 1830s featured a title page image of a flying eagle carrying a banner that read “E Pluribus Unum,” and beneath that was the phrase, “United We Stand.” This appeared opposite a frontispiece that pictured the twins as dark-skinned boys wearing queues and loose Oriental garments. The 1836 pamphlet published under the twins’ direction similarly featured a bald eagle clutching the national shield, beneath which were the words “Union and Liberty, one and inseparable, now and forever.” Analyzing the Siamese twins and American identity, scholar Allison Pingree argued that these exhibition booklets, which juxtaposed the parlance of the day describing conjoinedness—“united brothers” or “united twins”—with the symbolism of the American eagle holding an “E Pluribus Unum” banner in its beak, were playing to political concerns of the period. Even as nationalists appropriated the bond to symbolize union, proponents of states’ rights could claim that “connecting the states too closely was ‘monstrous’ and excessive.”
Historian Mark Wahlgren Summers’ latest political cartoon and commentary: 1874 Arkansas Politics is to Politics What Jackson Pollock Is to Portrait Painting.
Today’s cartoon and commentary by historian and illustrator Summers highlights the scandal of political patronage in the Reconstruction South.
On Thursdays over the coming weeks, we will feature a new cartoon—hand drawn by Summers—that offers a creative, satirical spin on Reconstruction history. Each cartoon is accompanied by brief commentary from the author/illustrator to help put things into context. These cartoons stimulate your brain, tickle your funny bone, and bring history to life in a whole new way. Next up in the satirical scaffold: a depiction of the Senator of Massachusetts, Charles Sumner.
Louisiana’s first Republican governor, the flamboyant Henry Clay Warmoth was unable to rein in a free-spending legislature, one of the most corrupt anywhere south of New York. Not all the spending was stealing; money to aid railroad construction and special privileges given to northern corporations that might link New Orleans with Mobile, Texas, and the North could have freed the Pelican State from the cash-crop economy, in which freedpeople’s opportunities were limited—if it had worked.
On June 19, the 150th anniversary of the day that Gen. Gordon Granger landed at Galveston and announced to Texans that the war was over and slavery had ended, the SCWH launched its new website at scwhistorians.org.