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February 22, 2017

Kristina M. Jacobsen: The Gallup Flea Market and Navajo Cultural Sovereignty

What struck me this time after many months away overseas is the subtle ways that Diné cultural sovereignty is practiced in this informal economy, where unemployment on the Navajo Nation currently hovers above 50%, and where tribal citizens are incredibly creative about ways to make ends meet in order to live on or close to their ancestral homeland (a statement about sovereignty and connection to homeland in its own right). Although not an explicitly “political” space, Diné citizens express their attachments to being Diné through what they choose—or refuse—to sell in this public space. Continue Reading Kristina M. Jacobsen: The Gallup Flea Market and Navajo Cultural Sovereignty

Categories Anthropology/Author blog entry/Guest Bloggers/Music/Native Amer./Indigenous Studies
November 18, 2016

University Press Week 2016 Blog Tour Day 5: #FF UNC Press Publishing Partners

We have celebrated the theme of Community for the past several days with our sibling publishers in the Association of American University Presses’ #UPweek. Today we invite you into our own virtual rolodex to introduce you to just some of the many partner organizations with whom we have collaborated to make many of your favorite books and journals possible. Continue Reading University Press Week 2016 Blog Tour Day 5: #FF UNC Press Publishing Partners

Categories African American History/African American Studies/American History/Biography / Autobiography/Civil Rights/Documentary Studies/History/Journals/Media Studies/Music/Native Amer./Indigenous Studies/North Carolina/Photography/Southern Studies/The Book Biz/Travel/UNC Press News/Women's Studies
November 17, 2016

Michael Jarrett: John Hammond’s Golden Ears

John Hammond’s knack for discovering talent was so uncanny, so unparalleled in the history of American music, that it’s regularly celebrated. It is, however, rarely examined. Perhaps, that’s because scrutiny can come off as suspiciousness poisoned by ungratefulness. Continue Reading Michael Jarrett: John Hammond’s Golden Ears

Categories African American Studies/American Studies/Author blog entry/Guest Bloggers/Music
October 17, 2016

Michael Jarrett: Early Record Men: How Talent Scouts, Managers, Recording Supervisors, Publishers, and A&R Men Shaped Music

Early record men, therefore, most resembled movie producers, not movie directors. Ultimately, their control derived from the power to grant or to deny access to capital. “I invented Louis Armstrong,” said Ralph Peer in a 1959 interview with Lillian Borgeson. Continue Reading Michael Jarrett: Early Record Men: How Talent Scouts, Managers, Recording Supervisors, Publishers, and A&R Men Shaped Music

Categories African American Studies/American Studies/Author blog entry/Guest Bloggers/Music
May 19, 2016

Interview: John W. Troutman on Kīkā Kila

Gina Mahalek: What is Kīkā Kila? What does it sound like?

John W. Troutman: Kīkā Kila is a Hawaiian expression for describing both a type of guitar and a technique for playing it. The instrument, also known as a “steel guitar,” a “lap steel,” a “dobro,” or a “Hawaiian guitar,” among other names and associations, developed in the Islands in the 1880s and 1890s. Players would physically modify a “standard” guitar, add steel strings to it, and fabricate finger picks and a steel bar, about 3” in length (the instrument is named after this bar). After creating new, open tunings for the guitar, players would place the guitar in their laps, pluck the strings with finger picks on one hand, and then, with their other hand, slide the steel bar along the strings, located high above the fretboard. The technique created an entirely new sound for the guitar, one that better mimicked both the gentle rising and falling of a somber human voice as well as the melodic acrobatics that Hawaiian falsetto singers were becoming known for at the time. Hawaiians soon began creating all sorts of other sound effects on the steel guitar, and very quickly, it became the most important accompanying (as well as lead melodic) instrument in Hawaiian music. Continue Reading Interview: John W. Troutman on Kīkā Kila

Categories American Studies/Interviews/Music/Native Amer./Indigenous Studies
June 15, 2015

Interview: David Gilbert on the birth of the Manhattan musical marketplace

Gina Mahalek: What was the Manhattan Musical Marketplace that you discuss in your book?

David Gilbert: This is a term that I coined to explain the historical formation of New York City as the center of American popular culture at the turn of the twentieth century. I think that many music fans, musicians, and scholars kind of take for granted that NYC has always been America’s capital of popular entertainment, and I wanted to tell the story about how this came to be. Rather than assume Broadway Theater and Tin Pan Alley song publishing just naturally developed into leading culture industries, I want to call attention to the moment in which these spaces—and their connotations—developed. And I want to emphasize African Americans’ roles in creating both New York’s unique culture markets and important facets of American popular culture. Continue Reading Interview: David Gilbert on the birth of the Manhattan musical marketplace

Categories African American History/African American Studies/American History/American Studies/History/Interviews/Music
May 15, 2015

David Gilbert: Who Owns Black Culture?: Racial Appropriation and the Marketplace

The reason social critics and entertainers still point out white appropriation when they see it is because the American public, and its leaders, have not matured the way black music and culture have. Even though millions of whites may profess to love and respect black music, their daily decisions—and those of their elected and institutional leaders—indicate that they do not love black people. Continue Reading David Gilbert: Who Owns Black Culture?: Racial Appropriation and the Marketplace

Categories African American History/African American Studies/American Studies/Author blog entry/Guest Bloggers/History/Music
May 4, 2015

Christina D. Abreu: Cuban Women Singers and the Mid-Twentieth Century Latin Music Scene, or, Celia and Graciela

Often overlooked in studies of Cuban musicians during the golden age of Latin popular music in the United States are the contributions of Afro-Cuban women singers. Two of the most prominent performers during the1940s and1950s were Graciela Pérez Grillo, lead singer for Machito y sus Afro-Cubans, and Celia Cruz, lead singer for La Sonora Matancera. Continue Reading Christina D. Abreu: Cuban Women Singers and the Mid-Twentieth Century Latin Music Scene, or, Celia and Graciela

Categories Cuba/Latin American/Caribbean Hist./Latino Studies/Music/Video
April 16, 2015

David Gilbert: The Streaming Music Debate: Some Historical Context

It is certainly an interesting time for the creation, selling, and distribution of popular music (not to mention less-popular music, like jazz and classical, which encounter even more drastic dilemmas, as recently pointed out at Salon.com). Many of the artists taking a stand against the new status quo in recorded music allude to the history of music making in the United States, often referring back to earlier eras wherein musicians received unfair deals from recording companies and large majorities of performers struggled to make a living, even as a “top 1%” of musicians dominated sales and marketing. This look back to history makes sense. Continue Reading David Gilbert: The Streaming Music Debate: Some Historical Context

Categories African American Studies/Author blog entry/Guest Bloggers/History/Media Studies/Music
March 25, 2015

Interview: Charles L. Hughes on Country Soul

Musically, there continues to be a deep stylistic overlap between country and soul. Some of the biggest country stars of today utilize the sounds and songs of R&B, while many contemporary soul and hip-hop artists (particularly from the South) bring the characteristics of country onto their records. Then there are the folks in the middle—many of whom, like Jason Isbell or Valerie June, are from the triangle—who draw from both traditions and blend them together in new and interesting ways. It remains one of the deepest wells of American music. Continue Reading Interview: Charles L. Hughes on Country Soul

Categories African American History/African American Studies/American History/American Studies/History/Interviews/Music/Southern Studies
January 27, 2015

Doug Orr: A Young Pete Seeger Encounters Music of the Appalachians

Pete was seventeen years of age in 1936 when he accompanied his father to Asheville to attend Lunsford’s Mountain Dance and Folk Festival. During Fiona Ritchie and my Wayfaring Strangers book interview with Pete at his home above the Hudson River, Pete recalled that “ordinary working people were making fantastically good music.” The youthful Pete Seeger was mesmerized as Lunsford presided on the spotlighted stage over a parade of square-dance teams, family string bands, singers, fiddlers, and banjo players. There Pete had his formative exposure to the five-string banjo played by Samantha Bumgarner, from whom he acquired his first such instrument. Pete recalled that Lunsford patiently showed him basic banjo licks that Pete would practice and perfect over subsequent years. Continue Reading Doug Orr: A Young Pete Seeger Encounters Music of the Appalachians

Categories Appalachian Studies/Author blog entry/Guest Bloggers/Music/North Carolina
January 14, 2015

Christina D. Abreu: In Honor of Professor Juan Flores

Criticism and embrace of identity terms like “Hispanic” and “Latino/a” have been longstanding in the field of Latino/a Studies. Puerto Ricans, Flores argued, share more in common with African Americans than with other Latino/a groups. He contended that Puerto Ricans and African Americans experience similar forms of racial and ethnic subordination in the United States because of parallels in their location in urban areas, their socioeconomic status, and their position as colonized subjects of the same nation-state. Continue Reading Christina D. Abreu: In Honor of Professor Juan Flores

Categories Author blog entry/Cuba/Cultural Studies/Current Events/Guest Bloggers/History/Latin American/Caribbean Hist./Latino Studies/Music
December 3, 2014

Enter to Win a Signed Copy of New York Times Bestseller ‘Wayfaring Strangers’

Congratulations to Fiona Ritchie and Doug Orr for their New York Times Bestseller, Wayfaring Strangers: The Musical Voyage from Scotland and Ulster to Appalachia! We’re giving away 5 signed copies to our subscribers!

To celebrate, the UNC Press is giving away six signed copies of Wayfaring Stranger when you sign up for our monthly e-newsletter in the Music, Travel, or Appalachian Studies categories. Just enter your name and email address and subscribe to the Music, Travel, and/or Appalachian Studies mailing list(s). Continue Reading Enter to Win a Signed Copy of New York Times Bestseller ‘Wayfaring Strangers’

Categories Appalachian Studies/Music/Travel/UNC Press News
November 12, 2014

Doug Orr: The Profound African American Influence on Appalachian Music

It is generally known that the American banjo’s origins trace back to West Africa and a gourd-like instrument the gnomi, among other names. However, the plantations were something of an incubator for music of the African American slaves in a variety of forms: the fiddle, learned at the plantation house; the call-and-response work songs from the toil of the plantation fields; spirituals stemming from church worship—often clandestine services or camp meetings with hidden messages of freedom’s call; and the hush lullabies sung by mammies to their babies, and sung with irony to the children of the plantation overlords. Continue Reading Doug Orr: The Profound African American Influence on Appalachian Music

Categories African American History/Appalachian Studies/Author blog entry/Music/Southern Studies
October 27, 2014

Interview: Fiona Ritchie and Doug Orr on the Music of Appalachia

In Scotland, Ulster and Appalachia, the songs have always been viewed as more important than any one individual singer. The anonymous authorship of much of the repertoire meant that no one questioned the fact that people often had their own family versions of ballads, or that they varied in different geographical areas. The tradition of singing and passing songs on has had an unbroken momentum across time and place. In fact, the urge to make music and share it has been even more vital than the repertoire itself. Like any good story, a good song (and the ballads are all stories after all) will live on. It’s the same with strong melodies: they also often have independent lives and may be paired up with many songs and different dances. No one owns this stuff. It belongs to everyone. Continue Reading Interview: Fiona Ritchie and Doug Orr on the Music of Appalachia

Categories Appalachian Studies/Interviews/Music/Southern Studies
September 29, 2014

Fiona Ritchie: Living Is Collecting

When NPR first partnered with me in presenting The Thistle & Shamrock®, we talked about using my radio show to open a doorway into a world of evolving Celtic music traditions for public radio listeners. I could never have imagined how far that door would swing open my way, too, helping inspire my search for the depth of connection that underpins our migration story in Wayfaring Strangers. Continue Reading Fiona Ritchie: Living Is Collecting

Categories Appalachian Studies/Author blog entry/Music/Southern Studies
April 10, 2014

Zandria F. Robinson: OutKast Reunion Tour: After Twenty Years, the South Still Got Something to Say

I grew up watching OutKast videos on the now-defunct Video Jukebox Network, affectionately known as “The Box.” Although OutKast received some play on MTV and BET in the early 1990s, it was on The Box, which featured a range of underground southern hip-hop artists, where I could be sure to see André “André 3000” Benjamin, Antwan “Big Boi” Patton, and other southern rappers in regular rotation. Although initially record labels largely ignored southern artists, through homegrown ingenuity, southern rappers soon emerged as a formidable force in the global music industry. By 2005, top spots on music charts were regularly held by southern hip-hop artists, southern R&B singers, or hits produced by southern artists. As Memphis rapper Project Pat noted in 2006: “Now y’all was thinkin’ Dirty South was like, ‘hee-haw, hee-haw’/Is you worth over a hundred mil? We are, we are.” Indeed, the South had something to say. Continue Reading Zandria F. Robinson: OutKast Reunion Tour: After Twenty Years, the South Still Got Something to Say

Categories African American Studies/Author blog entry/Current Events/Guest Bloggers/Music/Sociology/Southern Studies