April Merleaux: The Subtlety of the Sugar Babies

Last summer, to celebrate finishing the manuscript of my book, Sugar and Civilization: American Empire and the Cultural Politics of Sweetness, I went to New York to see artist Kara Walker’s installation A Subtlety, or the Marvelous Sugar Baby in an old Domino sugar factory in Brooklyn. Walker is known for making bold art that calls on viewers to consider histories of racial violence in the United States, and A Subtlety did just that. Sugar, Walker points out, is historically tied to race in many and multiple ways. Continue Reading April Merleaux: The Subtlety of the Sugar Babies