Jennifer Le Zotte: Poppin’ Tags: How Musicians Helped Make Used Clothes Fashionable
Macklemore’s 2013 tribute to thrift shops articulates the enduring association of creative output with secondhand commerce. Voluntary secondhand dress persists precisely because it suggests both cultural and economic distinction. It satisfies a desire to be seen as different than the average consumer dupe, as willing to invest time in the cultivation of originality without utilizing class and wealth privilege. In reality, however, secondhand economies and styles throughout the twentieth century are much more complicated; studying them reveals the futility of pursuing an effective anti-consumer consumption. But whatever the continuing or resurgent stigmas and social critiques of secondhand products may be, many creative dressers continue to agree with Macklemore’s concise assessment: “This is fucking awesome.” Continue Reading Jennifer Le Zotte: Poppin’ Tags: How Musicians Helped Make Used Clothes Fashionable
You must be logged in to post a comment.