Jonathan Scott Holloway: Whose Dream? Whose History?
Even though the museum recognizes Smith’s protest, if only barely, her protest tells us something valuable about the production of history and the sanctification of certain experiences over others. Here, a single person with a particular set of memories and a determination to remember a figure of such importance as King in a specific way finds herself facing an institution with a public commitment to remembrance that has become her own horror. Continue Reading Jonathan Scott Holloway: Whose Dream? Whose History?
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