The hotel’s ability to foster trust and nurture people who are otherwise temporarily homeless and dependent has been a long-standing feature of the modern landscape, and this functionality makes the hotel an irresistible magnet for those across the entire socioeconomic spectrum. Kay Thompson famously captured the hotel’s imaginative allure for the vulnerable wealthy in her 1955 fabulously popular Eloise stories, and the resulting marketing of these stories as a distinguishing feature of the hotel she—and her creator—called home attests to the hotel’s ability to incubate new kinds of identity and self-making even for those guests who seem to have it all. A ward of New York City’s Plaza Hotel, the six-year-old Eloise roams the hallways of one of the world’s finest hotels, her mother perennially absent. Without the protecting spaces provided by the hotel’s public and private venues, Eloise would be alone in a dangerous and unprotecting world, but in the generative habitus of the hotel she invents a world rich with play at self-making.
There is no way to tell the story of what happened on June 17, 2015, without talking about deeper histories of race, religion, and violence.
Our decision to focus on the inner life of hotels might seem rather whimsical, but it wasn’t. The truth is, we were looking for the right instrument, for an angle on contemporary life that we could use to materially anchor our ongoing conversations about modernity, power, and release, about race, class, gender, and globalization, about a whole lot of things. Getting to the hotel—and getting to that moment of realization at the ZaZa—took us a year or two of back-and-forth in the off hours. Sitting down that day, ticking off on our fingers those points of shared concern, we finally got it; we simply looked around and recognized that we were surrounded by a weird, fascinating material object, with its own culture and politics, an object that could capture all of these dynamic points. A waitress brought us coffee with a flourish, and a small clutch of brown sugar nuggets appeared on the table, with a small silver spoon. Why not, we thought, try to write about all of that?
Studies in United States Culture will publish provocative books that explore United States culture in its many forms and spheres of influence. Under the series umbrella, UNC Press seeks interdisciplinary work characterized by big ideas, brisk prose, bold storytelling, and methodological sophistication.
UNC Press has a long history on publishing outstanding work of African American history. In honor of African American History Month, we’d like to highlight some of the amazing new work being done in the field. Here are books on African American history, culture, and modern society that UNC Press has published over the past year.