Black and White and the Blues: Who profits from a cultural tradition?
Excerpt from Princeton Alumni Weekly‘s March 2021 issue is reblogged below with permission. By Adam Gussow, author of Whose Blues? Facing Up to Race and the Future of the Music Speaking very broadly, people who have emotional investments in the blues — people who like, play, think about, talk about, and identify themselves with the blues — have two diametrically… Continue Reading Black and White and the Blues: Who profits from a cultural tradition?
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