Nina Simone—the High Priestess of Soul to some, a fierce advocate of racial justice to others—would seem to be an unlikely interpreter of Israeli folk songs. Yet in 1962, as her career was taking off, Simone incorporated “Eretz Zavat Chalev” (“The Land of Milk and Honey”) into her repertoire. It proved to be an early example of her eclectic musical taste and one of her initial steps in moving beyond the traditional jazz combo–piano, bass, and drums–an evolution that would cement her place among world-renowned artists.
Continue Reading Nadine Cohodas: Nina Simone and Israeli Folk Music
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